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Flickers In Time (@flickersintime) Instagram Profile Photo flickersintime

Flickers In Time

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image by Flickers In Time (@flickersintime) with caption : "0144.  Ivan the Terrible - Part I (1944). Ivan looks positively Satanic but that didn’t seem to bother Stalin.  #1001mov" - 1720472672944505714
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0144. Ivan the Terrible - Part I (1944). Ivan looks positively Satanic but that didn’t seem to bother Stalin. #sergeieisenstein

Flickers In Time (@flickersintime) Instagram Profile Photo flickersintime

Flickers In Time

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image by Flickers In Time (@flickersintime) with caption : "0183.  I van the Terrible Part I/Ivan Groznii (1944) - directed by Sergei Eisenstein. 1001moviesyoumustseebeforeyoudie #" - 1720471502087647658
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0183. I van the Terrible Part I/Ivan Groznii (1944) - directed by Sergei Eisenstein. 1001moviesyoumustseebeforeyoudie #sergeieisenstein

Tenderbooks (@tenderbooks) Instagram Profile Photo tenderbooks

Tenderbooks

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image by Tenderbooks (@tenderbooks) with caption : "The unfinished works of Sergei Eisenstein are traversed by aesthetic, anthropological, and political questions. Focusing" - 1720433482625611859
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The unfinished works of Sergei Eisenstein are traversed by aesthetic, anthropological, and political questions. Focusing on the anthropology of rhythm that the Soviet director developed in his Mexican project, Que viva Mexico!, this book also extends its analysis to the film projects Bezhin Meadow and The Great Fergana Canal. Organic and mechanical, regular and irregular rhythms are not merely formal or temporal aspects of experience: they can become instruments of anthropology. Pursuing both the aesthetic and the epistemic paths of this hypothesis, the book reconstructs Eisenstein’s anthropological method through a series of archival materials: drawings and working diaries—published here for the first time—, and film footage. By placing Eisenstein’s method in a constellation between the surrealist aesthetics of the French journal Documents on one side, and the anthropological culture of post-revolutionary Mexico on the other, it explores the modern experience of looking alterity in the face. Superposition of times, connection of rhythms: historical, cinematic, and physiological. It is in this way, through rhythm, that one temporal dimension can become the medium of another, and the body itself the medium of a repressed history. #sergeieisenstein

MASHA PESTOV JEWELRY HAMBURG (@mashajewelry) Instagram Profile Photo mashajewelry

MASHA PESTOV JEWELRY HAMBURG

Désirée Edelbluth (@desiree_edelbluth) Instagram Profile Photo desiree_edelbluth

Désirée Edelbluth

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Ungereimtheit der Kunst... Bilder, die zugleich schonungslos, schrecklich und schön sind - und... weibliche Ungereimtheit ... Unterschiede widersprechen sich nicht unbedingt! Erkenntnis: der Weg ist, Gegensätze miteinander in Einklang zu bringen und ein Narrativ von gleichzeitiger Anziehung und Abstoßung zu schaffen _ und das gilt vermutlich für jede ART von Ungereimtheiten und Unterschiede... #sergeieisenstein